After my interview with Baz Warne I got a couple of free tickets to The Stranglers' Cambridge date, so myself went along 'guest-list style' to see them. Here's the review I sent to Grapevine Live...
Friday night in Cambridge was shaken by
those veterans of the punk scene, The Stranglers. With a fantastic following
there was no reason this was going to be anything other than enjoyable and after
my interview with front man Baz Warne a
few weeks back I was really looking forward to this.
The support was The Godfathers.
Not a band I’m familiar with but a quick history lesson from a flyer lead me to
believe they have a lot going on. They were once ‘Sid Presley Experience’ but
some-time in the mid-eighties they broke up and The Godfathers were formed. So
they’ve been in the business a long time and are one of the few survivors of the
punk era, but ‘punk’ is a very broad term so rather than the obvious Sex Pistols
and Stiff Little Fingers punk style, Godfathers almost felt a bit rockabilly at
times.
Their biggest hit, the cheerily titled
‘Birth School Work Death’ is a real punk classic, plenty of fists raised in the
crowd and the angst and frustration that goes along with it. Of course no live
punk set would be complete without shooting down a heckler or two, and
Godfathers did so in graceful style with the line ‘nobody is here to see you...
twaaat’, which got a good cheer and we were all ready, to grab another beer,
then see The Stranglers.
Blimey, where to start? The
Stranglers have been around a while, a couple of line up changes here and
there but still fundamentally the same, no nonsense, just good songs and a few
laughs along the way.
The set-list as a whole was flawless with
the obligatory classics like ‘Golden Brown’ and ‘Peaches’, some great crowd
participation for ‘Always the sun’. Newer ones like ‘Time was once on my side’
and even lesser heard tracks like ‘Toiler on the Sea’ and the properly punk
‘Something Better Change’ were just as well received as The Stranglers superb
following were well up for it.
I was surprised by the amazingly bright
back drop, I was expecting an ordinary band logo banner but the array of
patterns and colours illuminating the stage was a clear indication that the band
are going all out on this tour.
Plenty of jumping and cheers throughout
but having not seen them live before I did wonder where drummer Jet Black was,
but worries were quashed when he stepped up to rapturous applause to replace the
brilliant first half drummer, Jim McCauley (who would
later come back to play at the same time as Black for the finale).
There was a bit of an odd moment when Baz
pointed out that there were youngsters (presumably with their parents) in the
crowd and the lucky little blighters ended up in front of the barrier to prevent
what would have been an inevitable injuries. Later on though, Baz almost looked
a little embarrassed when he said the kids should cover their ears before
playing the straight to the point love song of sorts, ‘Bring on the Nubiles’.
But it’s always good to see such a broad range of ages enjoying properly good
music.
The biggest response from the crowd came
after a cheeky bass moment from JJ in which we were asked ‘can you feel it..?’
The answer was a resounding yes before ‘No more heroes’ got the room
collectively bouncing with all manner of loutishness focused on the centre of
the floor. Plenty of knocking about and the high spirits seemed to hang around
afterwards with everybody grinning as they left the Corn Exchange.
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